![]() Not Grand Opera, but light on its feet.” He described how in Asian theater a character is represented by two people, a singer and a dancer, to engender different aspects. Just three singers: Narrator, Boy and Girl. Atomic, we wanted something small, intimate, that fits in the palm of your hand. John Adams uses “…the energy of pop music, the rhythms of pop, just as Mozart was composing ‘pop’ music in the Magic Flute. Stage director Peter Sellars, Adams’ long-time collaborator, talked about the evolution of this piece in a pre-concert interview. There is a seamless quality to the whole, a product of the careful composing, together with a richness of characterization. Rendering love into pain, and vulnerability into betrayal, it follows a Hindu path to loss and redemption, not your typical operatic plot line. A Flowering Tree is magical, mysterious and transformative. We wore eveningwear, but it felt like feet-pajamas. Like the best fairy tales, this one had its audience wide-eyed and spellbound. Inspired by Mozart’s Magic Flute, Adams drew on an ancient text translated into English by the Indian scholar and poet A. ![]() Symphony this past weekend for three sold-out performances. John Adams conducted the US premiere of his own masterwork, A Flowering Tree, at the S.F.
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